Showing posts with label Turkey. Show all posts
Showing posts with label Turkey. Show all posts

Tuesday, 27 March 2012

Yeni Yol. A commission for the "Time in Turkey" book.


George Georgiou from Türkiye'de Zaman/Time in Turkey on Vimeo.


Last Summer I was commissioned by Zaman newspaper in Turkey to take part in a book project to celebrate their 25th year. They invited 25 photographers to spend a week photographing Turkey.
The whole project can be seen on the Zaman "Time in Turkey" page.

For this work, I chose the idea of following up on “Fault Lines” by making a road trip on the New Roads. The title in Turkish, “Yeni Yol,” has multiple meanings: New Way, New Aim or New Ideology. From my experience of Turkey, I use the New Roads as a metaphor of the change that is taking place and question what that vision is.
















Wednesday, 16 March 2011

Wednesday, 12 January 2011

Newsweek

Newsweek used my triptychs from Istanbul in the way they are intended to be seen, good to see a magazine respected the photographers vision.

Friday, 16 July 2010

Exhibition images at CIAC Foligno, Italy

 CII went to the opening last week of our joint exhibition at the CIAC Museum, in Foligno, Umbria.
I was really impressed with the museum, a contemporary  rust covered cube from the outside and light, bright and spacious inside.
This is the first time someone has put Vanessa's and my Turkey work together. The dynamic between the two was interesting, adding an extra layer of meaning to the individual works.
For this I must thank Daniele Mattioli for inviting us both, Emanuele De Donno for doing a great job with the installation and Piter Foglietta, the organisor of Canti e Discanti.











































































































Tuesday, 6 July 2010

Change of location

The Fault Lines exhibition on Foligno has change location. It will now be showing at the CIAC Museum alongside Vanessa's "Sweet Nothings". Opening is Thursday at 9pm and runs until the 9th September.
I will also be doing a presentation and book signing in an old Cinema in the town centre on Saturday at 12 noon.

A couple of curators have mentioned putting our work together but this is the first time it has happened.
Really looking forward to seeing how it holds together.


Friday, 2 July 2010

Exhibition in Foligno, Umbria

Next week my Fault Lines /Turkey exhibition will be showing as part of the World music festival "Canti e discanti", in the beautiful Umbria town of Foligno. The festival includes music, film, photography and being Italy, FOOD. The exhibition will be held at the beautiful Corte di Palazzo Trinci, inside the arcaded inner courtyard. Opening 10th July at 11am.
Vanessa Winship will also be showing "Sweet Nothings" in CIac, Centro Italiano Arte Contemporanea,
 A very interesting contemporary building, completely rusty on the outside and light and spacious on the inside. Opening 8th July 9.30pm
























Wednesday, 9 June 2010

I witness account from Mavi Marmara ship to Gaza

A Turkish photographer friend, Kursat Bayhan, who works for the Turkish newspaper Zaman, was on the Mavi Marmara that was attacked by Israeli commandos last week.  Apart from a few photos that he sent just before the attack, all his photographs were taken by the Israeli's.
I spoke with Kursat today, he was still very shaken by the whole experience, and as a photographer and witness on the boat he is extremely upset that his and the work of the other photographers was lost as evidence.
Below is his account of what happened.































Zaman Today

Journalist recalls 30 hours in cell number 5202

Today’s Zaman photographer Kürşat Bayhan was among the journalists on the Mavi Marmara ship sailing to Gaza, and was there when Israeli commandos stormed the ship in international waters in a raid that would kill nine peace activists.
                                                                                                                                  
Recalling the 30 hours he spent in Beer-Sheva Prison cell No. 5202, Bayhan says that the thing that upsets him most about the incident -- which has since sparked an international outcry over the Israeli military’s flouting of international law and human rights -- is that the Israelis confiscated his photograph-filled memory card. The following is Bayhan’s account of the conflict on the ship and the ensuing detention process.
“This was a journey that seemed normal to everyone at the beginning, that started off smoothly but then caught the eyes of the entire world toward the end. My journey on the humanitarian aid convoy began after I joined the Mavi Marmara in Antalya.

“Despite Israel’s warnings and threats, everything was normal -- until the night everything got complicated. The first announcement of contact came around midnight Sunday. Everyone put on their life jackets. There were people reading the Quran and praying. We performed the morning prayer on the deck of the ship. Fifteen minutes later, we saw zodiac boats approaching. Six zodiacs approached the boat’s rear. Then the commandos threw a hooked ladder onto the ship. At the same time, there were three commanders who were trying to rappel down from a helicopter, but one of them fell. He had a gun and an Uzi.

“A second helicopter approached. Soldiers opened fire from the helicopter using live bullets. We were taking photos the entire time up until that point. While hurrying to the press room, I saw someone on the floor; he had been wounded in the shoulder. Then, while passing by Room Two, there was a woman giving her husband a heart massage while yelling, ‘Please don’t die, please don’t die.’ Then the captain made an announcement, saying: ‘Our ship has been taken over. There are many dead and wounded people. Everyone stay calm and do not show resistance.’

“The commanders started lowering themselves onto the ship. There were around 30 journalists. We started trying to hide our photographs. I placed a small card containing some photographs under my tongue. They took us at 9 a.m. and I waited until 2 a.m. No one, including my friends, knew about this. As a result, I did not speak much during the 17 hours the card was in my mouth. Unfortunately, the doctor at the prison we were taken to confiscated the card during my health check.

“In the press room, we waited for an hour with our hands up in the air. They called us outside one by one. They did a body search. We left our camcorders, cameras and laptops there. They took us to the back part of the ship. We saw many people sitting on their knees with their hands cuffed. There were women waiting in the same way on the top floor. We heard some yelling, but we couldn’t turn around and look to see what was happening. The dead and wounded had been carried to the very top part of the ship.

“We reached the Ashdod port at 6:30 p.m. Everyone, including journalists, was handcuffed and photographed once they got off the boat. Detectors scanned us all the way down to our underwear. When we were taken for a health check, we were forced to sign a document indicating that we had not been assaulted in anyway. Then they put me in a prison vehicle all by myself; then they brought Hakan Albayrak and some other journalists.

“We were taken to Beer-Sheva Prison. They made us line up on the sidewalk. I was shivering. Then they placed us in four-person cells. They woke all the Turks up around 2 a.m. At first they took 10 people. Then they came back for everyone else, and I was left by myself. Then they put us on buses, and we arrived at Ben Gurion International Airport an hour and 45 minutes later. We got on the airplane, confirming that we would not return to Israel for 10 years. Meanwhile, those who requested their luggage and passports were beaten.”

06 June 2010, Sunday

KÜRŞAT BAYHAN  İSTANBUL

Tuesday, 13 April 2010

Printing Fault Lines

This is the second day of printing Fault Lines at ProStampa in Rome. Great technicians are making the whole process really easy, pages are looking great.